“I’m a singer songwriter, so we started doing a lot of music, we always did a lot of music,” Cohen said.
And, she said, they did have fun. But their literacy skills improved, so much so that parents wanted to know what she did.
“I told them we sing and dance every day,” Cohen said.
But there’s a method to her music.
Literacy is not about teaching mouths to form words or fingers to draw letters, or to follow the rules of grammar.
“Literacy is communication, reading and writing, it’s about communicating, it’s about expressive and receptive language,” she said. “So it really starts with talking and listening. Talking is like writing, it’s expressive language, it’s getting a message across.
“Listening is like reading. It’s receptive language. It’s understanding someone’s message to us.”
Children love singing and dancing because they’re having fun. But singing and dancing, Cohen says, are the pathways to literacy.
She gets them dancing because “moving the body wakes up the brain,” she said. “There are specific movements I do in my work that address fine motor skills and gross motor skills.”
In child development, she said, the imaginary line that goes down the middle of the body and separates the right side and left line is called the midline. Anytime you’re moving the left side of your body, the right hemisphere of the brain is in control. Anytime you’re moving the right side of your body, the left hemisphere of the brain is in control.
“So anytime you cross that midline, you’re teaching the right and left hemispheres of the brain to communicate with each other, which is essential for literacy because reading and writing involve crossing the midline, moving from the left side of the page to the right,” she said.
Students who lose their place in the middle of a page might be having trouble crossing the midline, she said. Also, students who have trouble finding a dominant hand, for instance, writing on the left side of the page with one and the right side of the page with the other, might be having the same problem.
So the dances they do not only wakes up the brain but cross the midline.
“I also do a lot of fingerplays, which ready the hands for writing and directly benefit fine motor skills,” she said. “I try to encourage finding fingers, having finger control, and finger dexterity.”
The singing she encourages in the classroom isn’t just for listening pleasure.
“Singing engages the listener; it piques their interest, and the cadence of the melody offers variations that allow different entry points for a listener and engages the listener in a way that speaking doesn’t always,” she said. “By singing to a child you’re better able to get their message across to them.”
A good example, she said, is singing a lullaby to a baby to get them to sleep, a far more effective method than simply telling them to do so, Cohen said.
Or, perhaps getting in a circle with an adult loved one, and going out on a journey on the Great Lakes with Captain Scupper and Risa Cohen.
Contact Heather Denniss at: [email protected].